He had a rare command of an excellent work-a-day dramatic style, clear, vigorous, free from conceit and affectation. But he is apt to grow didactic, and tax the reader's patience; and there is often a want of coherence in his sentences, which amble down the page in a series of loosely-linked clauses. I will not examine scene by scene in detail; for I must frankly confess that I feel myself sometimes at a loss to determine whether a particular passage is by Fletcher or Massinger.

Most of the impassioned parts belong, I think, to the former. I would credit Massinger with the admirably conducted trial-scene in the fourth act; but the concluding scene of the play, where Barnavelt is led to execution, I would ascribe, without hesitation, to Fletcher. In the scene (v.